What if seeds could transform our understanding of life, time, and existence? Vegetality restages the quiet drama of dormancy, germination, and growth to show how plants challenge human ideas about beginnings, endings, and identity. By integrating philosophy, plant science, poetry, and artistic experimentation, Michael Marder and Anaïs Tondeur invite readers to recalibrate their relationship with nature and with themselves.
From roadside morning glory to flax found in Chernobyl’s exclusion zone, Vegetality follows real seeds across variegated landscapes and histories. The dispersal of these tiny travelers becomes a lens for exploring migration, resilience, and chance, connecting botanical life with urgent questions about displacement and belonging. Rather than model the currently predominant extractive and productivity-driven ways of acting, plants provide us with alternative paradigms for thinking about and sensing the world in the faint light of latency, patience, and open-ended becoming.
The book’s experimental structure embodies the logic of its subject wherein origins and conclusions all meld into an ongoing relational and generative process of “starting from the middle.” Through its collaborative interweaving of writing and images, Vegetality brings us the art of thinking and sensing the world from a vegetal (indeed, the seminal) perspective.
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Michael Marder is IKERBASQUE Research Professor in the Department of Philosophy at the University of the Basque Country (EHU), Vitoria-Gasteiz. He is author of many books, such as Grafts: Writings on Plants and Heidegger: Phenomenology, Ecology, Politics, both published by the University of Minnesota Press.
Anaïs Tondeur is a visual artist trained at Central Saint Martins and the Royal College of Arts. Her practice, anchored in early analog photographic techniques, unfolds as a composition between time, chemistry, and ecological ethics, and her work has been exhibited internationally.