Ten young Florentines shut themselves in a country villa to escape the plague of 1348 and tell each other a hundred stories in ten days - merchants, nuns, tricksters and unfaithful wives, told without moralising. Boccaccio had watched the plague take his father and stepmother. The frame is grief; almost everything inside it is comedy. Ninety-seven plates of Venetian squares and river cities by Canaletto and Guardi run alongside the tales, matching the restless, worldly energy of the hundred storytellers.
Ten young Florentines shut themselves in a country villa to escape the plague of 1348 and tell each other a hundred stories in ten days - merchants, nuns, tricksters and unfaithful wives, told without moralising. Boccaccio had watched the plague take his father and stepmother. The frame is grief;...