Technológos in Being: Radical Media Archaeology & the Computational Machine
May 2021 · Bloomsbury Publishing USA
Ebook
224
Pages
About this ebook
Wolfgang Ernst's new work, Technológos in Being, in its explicit media-scientific approach, aligns with the politics of the thinking media series to publish innovative works that advance media studies towards the 'new sciences.'
Ernst's invites readers to re-adjust their ideas of Media Studies: the conviction that an extended understanding of "medium" needs to include a concept of materiality that focuses on "non- human" agencies as well. The book grounds media analysis radically in the technological apparatuses, relays, transistors, hard- and software, to precisely locate the scenes, operations and frictions where reasoning logos and 'informable' matter interfere.
Ernst's invites readers to re-adjust their ideas of Media Studies: the conviction that an extended understanding of "medium" needs to include a concept of materiality that focuses on "non- human" agencies as well. The book grounds media analysis radically in the technological apparatuses, relays, transistors, hard- and software, to precisely locate the scenes, operations and frictions where reasoning logos and 'informable' matter interfere.
Wolfgang Ernst's new work, Technológos in Being, in its explicit media-scientific approach, aligns with the politics of the thinking media series to publish innovative works that advance media studies towards the 'new sciences.'
Ernst's invites readers to re-adjust their ideas of Media Studies:...
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About the author
Wolfgang Ernst is Full Professor for Media Theories at the Institute for Musicology and Media Science at Humboldt University in Berlin, Germany. He is the author of The Delayed Present (2017), Digital Memory and the Archive (2012), and Chronopoetics (2016).
Wolfgang Ernst is Full Professor for Media Theories at the Institute for Musicology and Media Science at Humboldt University in Berlin, Germany. He is the author of The Delayed Present (2017), Digital Memory and the Archive (2012), and Chronopoetics (2016).
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