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To be precise, Jeremy has unexpectedly inherited a large country house in a remote area of Norfolk. Jeremy knows how to manage accounts, thanks to his work at Albion’s Ministry. But he has no idea what to do with an estate, how to talk to the staff, or how to keep everything working for another generation. And he certainly doesn’t know anything about tapestries, and he’s inherited those as well.
Eda has a good life.
She’s built up her weaving workshop from scratch, and it’s now overflowing with apprentices, commissions, and looms. Widowed during the Great War, she’s happy with her comfortable kitchen, colleagues in and out at all hours, and a range of people asking for her expertise.
When Jeremy asks her to come evaluate a set of tapestries, she’s glad enough to do so. It won’t even be a problem to do an initial set of repairs, to better judge how long tending the set of ten tapestries might take. Once she’s in Norfolk, however, she and Jeremy keep stumbling over other mysteries.
Weaving Hope is the fifth book in the Mysterious Arts series exploring the arts in Albion in the 1920s. It can be read in any order. Come enjoy the pleasures of weaving, ancient family secrets, and a beautiful garden with elusive gardeners.
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Celia Lake spends her days as a librarian in the Boston (MA) metro area, and her nights and weekends at home happily writing, reading, and researching.
Born and raised in Massachusetts to British parents, she naturally embraced British spelling, classic mysteries, and the Oxford comma before she learned there were any other options.
