Complete and unabridged, with 56 full-page plates by Nicolas Lancret, Jean-Baptiste Pater and Jean-Antoine Watteau. A young man in 1789 who has been beaten by his lord's servants becomes a lawyer of the Revolution, and rises with it — until the Terror asks him to sign the death of the woman he loves. Sabatini wrote in English because, he said, all the best stories are told in it; this early novel is his coldest look at revolution, and it declines to pick a side that is clean. Fifty-six plates of painting by Fragonard and Vernet, from park fetes to castle ruins, give the old regime's grace and its falling stones before the Tribunal takes the stage.
Complete and unabridged, with 56 full-page plates by Nicolas Lancret, Jean-Baptiste Pater and Jean-Antoine Watteau. A young man in 1789 who has been beaten by his lord's servants becomes a lawyer of the Revolution, and rises with it — until the Terror asks him to sign the death of the woman he lo...