Pop Art

· Parkstone International
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This book offers a perspective on the so-called ‘Pop Art’ creative dynamic that has been around since the 1950s. It does so by enhancing the term ‘Pop Art’ which has always been recognised as a misnomer, for it obscures far more than it clarifies. The book discusses the major contributors to the Pop/Mass-Culture Art tradition right up to the present, in the process including a number of artists who have never previously been connected with so-called ‘Pop Art’ but who have always been primarily interested in mass-culture, and who are therefore partially or totally connected with Pop/Mass-Culture Art. The book reproduces in colour and discusses in great detail over 150 of the key works of the Pop/Mass-Culture Art tradition. Often this involves the close reading of images whose meaning has largely escaped understanding previously.
This book offers a perspective on the so-called ‘Pop Art’ creative dynamic that has been around since the 1950s. It does so by enhancing the term ‘Pop Art’ which has always been recognised as a misnomer, for it obscures far more than it clarifies. The book discusses the major contributors to the ...

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Eric Shanes is himself a painter and a renowned art historian. Amongst his many articles on twentieth-century art are best-selling books on Constantin Brancusi and David Hockney. He is also a leading authority on J M W Turner on whom he has written nine best-selling books and catalogues. He is currently the Chairman of the Turner Society. He is much in demand all over Britain and the United States as a lecturer on art.
Eric Shanes is himself a painter and a renowned art historian. Amongst his many articles on twentieth-century art are best-selling books on Constantin Brancusi and David Hockney. He is also a leading authority on J M W Turner on whom he has written nine best-selling books and catalogues. He is cu...

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