Sons of Fire: Restored Classics to Go Edition

· Otbebookpublishing
Ebook
189
Pages
Eligible

About this ebook

At Discombe Manor, the return of Geoffrey Wornock turns a quiet courtship into a delicate triangle of music, wit, and jealousy. Allan Carew watches Suzette Vincent and Geoffrey lose themselves in duet after duet, feeling shut out by the intimacy their shared art creates. When his resentment erupts, Mrs. Wornock gently exposes the real wound: Allan's fear of being outshone by Geoffrey's brilliance. Suzette is hurt but loyal, and the tension softens into reconciliation just as Allan imagines a happier future by inviting her to Fendyke—only to be summoned home by news that his father lies dangerously ill. Amid the family's vigil, doctors deliver a grim warning of an incurable heart condition, and Allan is left balancing devotion, guilt, and the dread that his father may die without seeing Mrs. Wornock again. Elsewhere, a crowded séance collapses into disgrace when its "miracles" are exposed as machinery and fraud. Hidden doors, straps, and iron rods reveal the sham, but the young medium's tears complicate the scandal: she is not simply a con artist, but a grieving girl lured by promises that her dead father could speak through her. Braddon's world of domestic feeling and occult spectacle alike is driven by longing, manipulation, and the painful cost of believing too much. This edition has been fully restored with modern typesetting, custom cover design.
At Discombe Manor, the return of Geoffrey Wornock turns a quiet courtship into a delicate triangle of music, wit, and jealousy. Allan Carew watches Suzette Vincent and Geoffrey lose themselves in duet after duet, feeling shut out by the intimacy their shared art creates. When his resentment erupt...

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About the author

M. E. Braddon, born Mary Elizabeth Braddon in 1835 in London, emerged from a difficult early life to become one of the most popular and commercially successful writers of the Victorian era. After a brief and unconventional path through acting and journalism, she turned to fiction and quickly found her voice in the fast-moving world of sensation literature, where she built a remarkable career marked by prolific output, sharp plotting, and an instinct for the anxieties of modern life. Her novels helped define the sensation genre, blending crime, secrecy, inheritance disputes, domestic drama, and social ambition into stories that captivated a wide readership, while her later work also showed an interest in character, atmosphere, and the complexities of marriage, class, and respectability. Braddon's fiction often explores the uneasy gap between appearance and reality, especially the vulnerabilities of women in a society governed by reputation and limited choices, themes that still feel strikingly current. She remains significant not only as a master storyteller but also as a writer who exposed the pressures hidden beneath polished social surfaces, anticipating later interest in psychological suspense and domestic unease. Today, readers who enjoy Victorian fiction, compelling plots, strong atmosphere, and stories about secrets and social constraint will find her work especially rewarding.

M. E. Braddon, born Mary Elizabeth Braddon in 1835 in London, emerged from a difficult early life to become one of the most popular and commercially successful writers of the Victorian era. After a brief and unconventional path through acting and journalism, she turned to fiction and quickly foun...

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