This collection of essays explores the film from a wide variety of angles: through its production history and the socio-historical context of its release; through the theme of gender, power, and sexuality; through close analysis in comparison with other epic movies, the literature preceding the film, and the rest of Kubrick’s oeuvre; and through its soundtrack and sonic style. Some chapters draw extensively on primary sources, especially those available at the Stanley Kubrick Archive; others apply a theoretical perspective. The volume’s interdisciplinary approach demonstrates how diverse methods can coexist and support each other to create a deeper knowledge of this important film.
Kerstin Stutterheim is Professor Emeritus at Edinburgh Napier University and teaches at HTW Berlin and the University of Hong Kong. She is also an internationally recognized dramaturg and filmmaker.
Elisa Pezzotta is an independent scholar. Her main interests are Kubrick and adaptation studies, and time in film.