Letter on French Music: A New Reader's Edition

· The Collected Works of Jean Jacques Rousseau Book 15 · Märchenhaus Verlag
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About this ebook

During the lively "Querelle des Bouffons," Rousseau fires off this pamphlet to say that French music is un singable outside France, while Italian song touches any heart. The invective angers patriotic composers and delights Italian troupes in Paris. Rousseau's argument centers on vowel purity and melodic line, setting technical detail against national pride. Voltaire applauds cosmopolitan taste yet can't pardon such scorn for Racine's legacy; Diderot, caught in mid edit of the Encyclopédie, worries that cultural war may undercut his grand project. Hobbes remains a distant shadow here, yet Rousseau's warning that public taste follows court taste hints at Hobbes's view that authority shapes desire, though Rousseau hopes for emancipation through nature rather than through Leviathan.

The "Letter on French Music" is one of Rousseau's most controversial and influential work in eighteenth century aesthetic debate. Published in 1753 during the heated musical controversy known as the Querelle des Bouffons, this polemical work represented Rousseau's decisive intervention in the conflict between supporters of French and Italian operatic styles. The letter emerged from Rousseau's growing conviction that French music had become overly difficult and artificial, lacking the natural expressiveness that he believed characterized true musical art. His position codified musical theories that had been developing since his youth, especially following his exposure to Italian sacred music during his time in Turin, which had revealed to him the expressive possibilities that French musical traditions seemed to suppress.

Alongside the translation of Letter on French Music, the edition provides contextual material on Rousseau's world and intellectual influence. The translation of Letter on French Music is accompanied by scholarly supporting material. Alongside Letter on French Music, the volume provides an afterword tracing Rousseau's intellectual relationship with Diderot, Voltaire and his reception by Nietzsche, revealing the detailed dialogue between the period's most influential minds. For Letter on French Music, a timeline connects the major events of Rousseau's life with world events, a glossary of Enlightenment terminology frames Rousseau's debates in the intellectual milieu of his day, and a detailed index provides an guide to his complete writings.

During the lively "Querelle des Bouffons," Rousseau fires off this pamphlet to say that French music is un singable outside France, while Italian song touches any heart. The invective angers patriotic composers and delights Italian troupes in Paris. Rousseau's argument centers on vowel purity and...

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About the author

Jean Jacques Rousseau (1712 to 1778) was a Genevan writer, philosopher, and composer. He wrote on political authority, inequality, education, language, music, religion, and autobiography; his books include Discourse on Inequality, The Social Contract, Emile, Julie, and the Confessions.
Jean Jacques Rousseau (1712 to 1778) was a Genevan writer, philosopher, and composer. He wrote on political authority, inequality, education, language, music, religion, and autobiography; his books include Discourse on Inequality, The Social Contract, Emile, Julie, and the Confessions.

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