The Irresponsible Self: On Laughter and the Novel
Jul 2013 · Random House
Ebook
320
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About this ebook
When James Wood's first collection of essays, The Broken Estate, was published in 1999, the reviewers hailed a master critic. The common thread in Wood's latest collection of essays is what makes us laugh - and the book is an attempt to distinguish between the perhaps rather limited English comedy (as seen in Waugh, for example) and a 'continental' tragic-comedy, which he sees as real, universal and quixotic.
A particularly acerbic, and very funny, essay - which has been widely celebrated - deals with Zadie Smith, Rushdie, Pynchon and DeLillo; its title, 'Hysterical Realism', has already entered the phrasebook of literary language.
With its brilliant studies of Shakespeare, Dickens and Dostoevsky, Naipaul, Pritchett and Bellow, The Irresponsible Self offers more exhilarating despatches from one of our finest living critics.
When James Wood's first collection of essays, The Broken Estate, was published in 1999, the reviewers hailed a master critic. The common thread in Wood's latest collection of essays is what makes us laugh - and the book is an attempt to distinguish between the perhaps rather limited English comed...
About the author
Born in Durham in 1965, James Wood has been a staff writer at The New Yorker since 2007. He was the chief literary critic at the Guardian from 1992 to 1995, and a senior editor at The New Republic from 1995 to 2007. His books include How Fiction Works, which has been translated into fifteen languages.
Born in Durham in 1965, James Wood has been a staff writer at The New Yorker since 2007. He was the chief literary critic at the Guardian from 1992 to 1995, and a senior editor at The New Republic from 1995 to 2007. His books include How Fiction Works, which has been translated into fifteen langu...
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