Human Love

· Hachette UK
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As a child, Elias Almeida loses both his parents during the Angolan uprising against colonial rule. As an adult and professional revolutionary, he bears witness to mankind at its pitiless worst. Yet he continues to believe in a better world and in the redeeming power of love -- even though he cannot be with the woman he loves, who rescued him from thugs one snowy night on the streets of Moscow. Spanning forty years of Africa's past as a battleground between East and West, this powerful novel explores the heights and depths of human nature as it tells a profoundly affecting story of sacrifice and idealism.
As a child, Elias Almeida loses both his parents during the Angolan uprising against colonial rule. As an adult and professional revolutionary, he bears witness to mankind at its pitiless worst. Yet he continues to believe in a better world and in the redeeming power of love -- even though he can...

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Andreï Makine was born in Krasnoyarsk in Siberia in 1957, but sought asylum in France in 1987. While initially sleeping rough in Paris he was writing his first novel, A HERO'S DAUGHTER, which was eventually published in 1990 after Makine pretended it had been translated from the Russian, since no publisher believed he could have written it in French. With his third novel, ONCE UPON A RIVER LOVE, he was finally published as a 'French' writer, and with his fourth, LE TESTAMENT FRANCAIS, he became the first author to win both of France's top literary prizes, the Prix Goncourt and Prix Médicis. Since then Andreï Makine has written THE CRIME OF OLGA ARBYELINA, REQUIEM FOR THE EAST, A LIFE'S MUSIC, which won the Grand Prix RTL-Lire, THE EARTH AND SKY OF JACQUES DORME, THE WOMAN WHO WAITED, HUMAN LOVE and THE LIFE OF AN UNKNOWN MAN.
Andreï Makine was born in Krasnoyarsk in Siberia in 1957, but sought asylum in France in 1987. While initially sleeping rough in Paris he was writing his first novel, A HERO'S DAUGHTER, which was eventually published in 1990 after Makine pretended it had been translated from the Russian, since no...

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