Exit Opera: Poems

· W. W. Norton & Company
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A Library Journal Best Poetry Book of the Year

“Kim Addonizio may be one of the most influential poets of the past few decades.” —Preposition

A new volume by acclaimed poet Kim Addonizio, whose work is known for its streetwise, unflinching explorations of love, lust, and mortality.

Set in locations from dive bars to Montparnasse Cemetery, from an ancient Greek temple to a tourist shop in Assisi, Exit Opera explores the ever-vexing issues of time, mortality, love, and loss, and considers the roles of art and human connection. Whatever their nominal subject—jazz, zombies, Buddhism, Siberian tigers—these poems make for a compelling mix of humor and pain, difficulty and solace. In a nod to Keats, one of the many fellow travelers in these poems, Addonizio invites us to “[inscribe] a few verses on whatever water / you can find” and assures readers that they are not alone in navigating the challenges and changes of mortal life. As she writes in “My Opera”:

The staging is difficult. Exploding stars
are involved, high-redshift galaxies, interior chambers,
a little country blues, a little jazz guitar, a jam jar containing
a tiny ocean & a tinier rowboat rocking gently in the swells
that I am steering toward you in the dark.

 

A Library Journal Best Poetry Book of the Year “Kim Addonizio may be one of the most influential poets of the past few decades.” —Preposition A new volume by acclaimed poet Kim Addonizio, whose work is known for its streetwise, unflinching explorations of love, lust, and mortality. Set in loca...

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Kim Addonizio is the author of eight poetry collections and two books on writing poetry: The Poet’s Companion and Ordinary Genius. Her collection Tell Me was a finalist for the National Book Award. She lives in Oakland, California.

Kim Addonizio is the author of eight poetry collections and two books on writing poetry: The Poet’s Companion and Ordinary Genius. Her collection Tell Me was a finalist for the National Book Award. She lives in Oakland, California.

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