Mother, Mother
Zia Rayyan
2026年3月 · Simon and Schuster · 朗讀者：Kira Fixx和Marni Penning
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Mother, Mother is a psychological thriller with a twist that plays on the time old tale of “Are you my mother?”, perfect for fans of Freida McFadden, Kiersten Modglin, and Lucinda Berry.
Iris Blackwood always knew her mother didn’t love her.
It’s why she left six years ago and never looked back. But when her aunt—her mother’s identical twin—and her stepfather die in a tragic accident, she’s forced to return home.
The cruel woman she remembers is gone. In her place is someone who cooks breakfast with a smile and says, “I love you.”
Iris wants to believe it’s real. But then she finds a journal in the attic. One that reveals her mother and aunt used to switch places all the time.
And when her car mysteriously won’t start, she begins to fear the truth.
She came home to the wrong mother.
And now she may never leave.
Iris Blackwood always knew her mother didn’t love her.
It’s why she left six years ago and never looked back. But when her aunt—her mother’s identical twin—and her stepfather die in a tragic accident, she’s forced to return home.
The cruel woman she remembers is gone. In her place is someone who cooks breakfast with a smile and says, “I love you.”
Iris wants to believe it’s real. But then she finds a journal in the attic. One that reveals her mother and aunt used to switch places all the time.
And when her car mysteriously won’t start, she begins to fear the truth.
She came home to the wrong mother.
And now she may never leave.
Mother, Mother is a psychological thriller with a twist that plays on the time old tale of “Are you my mother?”, perfect for fans of Freida McFadden, Kiersten Modglin, and Lucinda Berry.
Iris Blackwood always knew her mother didn’t love her.
It’s why she left six years ago and never looked back...
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關於作者
Zia Rayyan is a psychological thriller author with no background, no alibi—only a need to write about the lies we tell, and the ones we bury.
Zia Rayyan is a psychological thriller author with no background, no alibi—only a need to write about the lies we tell, and the ones we bury.
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